12/16/2023 0 Comments Classical guitar shed loginC Major one octave and focus on correct right hand alternation. Scales – 5 minutesįocus on one scale and one element of technique. These simple elements are also great at gently warming up the hands. Fundamentals – 10 minutesįree stroke, alternation, string crossing, sound production. So, to start each of your practice sessions, I would suggest going over your fundamentals. Sound production, alternation, string crossing, scale synthesis, all these elements are crucial to your development and they can’t be quickly brushed over. Before you know it, your timer will go off but if you stick to just that one focused element, your time will have been productive.Īs a beginner or intermediate player you need to continually consolidate core techniques. From here we can add scale variations such as articulation, rhythms, dynamics or right hand fingering changes. Start a timer on your phone, put the metronome on and start out with an even scale with consistent tone. Let us say you choose a C Major two octave scale. Resist the temptation to noodle around on your repertoire. Whatever it is, clearly state your goal and stick to it. A scale, and arpeggio, four measures of a piece, an exercise. Take just one thing and focus intently for fifteen minutes. The name of the game here is restriction. If you use this window properly it can be very productive. Maybe the kids are out, maybe you woke up early, but there is definitely a small window where you can pick up the guitar. We start with just that little sliver of time that we sometimes find between daily hustle and bustle. If you want to develop your own practice structures here are four templates to get your ideas flowing. ![]() This site has a number of practice aids that I have developed: CGC Academy contains a complete suite of tools that provides structure and graded materials for you to work on, and the practice routines are PDF books with structured practice materials. This is most definitely not the case and I would suggest to you that a focused and structured session for one hour is far more productive than three hours of noodling. Diminishing returns is a little more insidious, and this will happen as we forge ahead thinking that more time = more results. To remedy this we need to practice with a structure and goals. Wandering aimlessly in practice sessions is easy to do and it will result in a feeling of frustration and wasted time. There are two main pitfalls in the practice realm #1 aimless wandering #2 is diminishing returns. For this reason we need to think carefully about how we use our time while practicing. A lesson will shine a light on areas you need to focus on and provide guidance for continual development but it really won’t make you a better player. Contrary to what many people might think it is not in your lessons but rather in your practice sessions where you will improve as a musician.
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